Inventory

good reads: Tsurezure Biyori, Tomo-chan wa onnanoko!, Panther Brecht Evens , Harry Potter and the Methods of Rationality, Motherless Oven, Caelum Est Conterrens, Kengan Ashura



Zaruhohl : damn your knife and gun names are cringy

*DEAD* Superguyoffa : of course its a spy with a ♥♥♥♥♥♥♥ anime pfp

*DEAD* Superguyoffa : WTF IS THIS

Hydrom@n : fed up with these f... spies cheater

Gabber : fagrol ♥♥♥♥♥♥♥♥♥♥ you're a ♥♥♥♥♥♥♥ subhuman monkey

siggy.roblox.1999 : carol is a fôcking muslim nîgger jew

ofp | Spells MPLC Shop is ON : UNPLAYABLE WITH THIS LAGS - I CANT EVEN AIRBLAST ROCKET FROM THIS ♥♥♥♥♥♥

[Dead] B&Q 80 MEGAWATT ALUMINIUM BUCKE : ♥♥♥♥♥♥♥♥♥ carol chill
B&Q 80 MEGAWATT ALUMINIUM BUCKE : that was disgusting
[Dead] Carol Olston : sorry, no mercy for snipers
B&Q 80 MEGAWATT ALUMINIUM BUCKE : haha

[Dead] Coca Cola Espuma (CaberGang) : ♥♥♥♥♥♥♥
[Dead] Coca Cola Espuma (CaberGang) : I HATE YOU

mumbojumbo6969: ♥♥♥♥ solds - shoots the ground taking about 90 damage
xd: ♥♥♥♥ solds - shoots the ground taking about 90 damage
Carol Olston: ♥♥♥♥ solds - shoots the ground taking about 90 damage

Fraz : med nooooo :(
(Voice) Carol Olston: Thanks!
Indiana Bones left game
Dic : you slapped him to red
Carol Olston : ;(
Carol Olston : o7
Bach : :(
[Dead] what a thicc boi : o7

Pootis Almighty : i dont wanna sound rude but: ultra skilled spy player, hong kong cone, ahegao pfp. all checks out

*DEAD* Diamixl : nice i guess

TURKISH BARBER : oh im acrol olston and my parents abandoned me when i was 4
TURKISH BARBER : ♥♥♥♥ you

*DEAD* thor:) : carol you're an absolute parasite

*DEAD* MANCHESTER UNITED : carol virgin

Frédéric Chopin's "Raindrop" Prelude, Op 28, No. 15

Beginning in D-Flat Major, this piece focuses on inner confliction and the contemplation of the solitary self. The composition was born from the mind of Frédéric Chopin in 1839 during his stay at the Valldemossa monastery. Amantine Dupin once commented, "It casts the soul into a terrible dejection".

Maurice and I had left Chopin in good health one morning to go shopping in Palma for things we needed at our 'encampment.' The rain came in overflowing torrents. We made three leagues in six hours, only to return in the middle of a flood. We got back in absolute dark, shoeless, having been abandoned by our driver to cross unheard of perils. We hurried, knowing how our sick one would worry. Indeed he had, but now was as though congealed in a kind of quiet desperation, and, weeping, he was playing his wonderful prelude. Seeing us come in, he got up with a cry, then said with a bewildered air and a strange tone, "Ah, I was sure that you were dead."

When he recovered his spirits and saw the state we were in, he was ill, picturing the dangers we had been through, but he confessed to me that while waiting for us he had seen it all in a dream, and no longer distinguishing the dream from reality, he became calm and drowsy. While playing the piano, persuaded that he was dead himself, he saw himself drown in a lake. Heavy drops of icy water fell in a regular rhythm on his breast, and when I made him listen to the sound of the drops of water indeed falling in rhythm on the roof, he denied having heard it.

He was even angry that I should interpret this in terms of imitative sounds. He protested with all his might—and he was right to—against the childishness of such aural imitations. His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds.

His composition of that night was surely filled with raindrops, resounding clearly on the tiles of the Charterhouse, but it had been transformed in his imagination and in his song into tears falling upon his heart from the sky."